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In addition to an effects rack and ProChannel effects that you can insert into each track, it also allows you to insert effects plugins on individual audio or MIDI clips. Using the non-destructive editing, you can easily cut one of those clips into smaller pieces if you'd like to apply an effect non-destructively to an individual note or musical phrase. See More
E.g. Midi instrument> change to MIDI channel, assign midi controler>click Icon on track which sometimes leaves midi control to a non desired track, and the process fails, and now you mull through the steps again, only to find it fails> contact support>They tell you to update>software update fails> Support contacts you 3 months later>Rinse&repeat. See More
You can create an unlimited number of audio tracks, patch points, aux tracks and busses. Each track can send its output or an unlimited number of aux sends to any patch point or bus. A patch point can route to any number of aux tracks. Each aux track or bus can send its output or an unlimited number of sends to any other patch point or bus. (* A patch point is a destination where audio can be sent from any output or aux send, while an aux track is a track that receives its input from a patch point. This allows the track to be used similarly to a bus, with the additional flexibility of allowing multiple aux tracks to get their input from the same source point, and the organizational convenience of having the track alongside other tracks, instead of in the separate bus area). See More
The mouse wheel is used for both scrolling and for controls (fader, pan, etc.) manipulation, depending on what's under the pointer; you may very well be scrolling through the tracks in the mixer only to suddenly discover that you are changing the volume of a track because the pointer entered the fader space. Users have been requesting a fix for this for several years now (there can't possibly be anyone who thinks this is a good design), but it's still a problem. Also, you may try to select a track only to end up changing its color or some other unexpected behavior. See More
The interface Graphical is comic bookish. While the DAW is useful there are better interfaces out there. One of the biggest issues is how the signal path is selected. Other DAW's work more like a patchbay allowing for a more visual interaction with the program. Studio One is different and a little obtuse. For example, Digital performer 11, Protools 11, Sonar Producer provide a better experience. See More
Only my complaint so far is the automation. It affects the fader, so if you use automation for the volume, the fader gets useless. Other DAWs such as Reaper and Mixcraft offers separate automation function and it doesn't affect the fader. Another one if I pick, the design of the plugins has been changed too colorful and it's not necessary though. I prefer the design of version 4, simple grey and white style. The prettier, the more CPU usage. See More
Allows you to go from the studio to the stage or stream with other musicians through the interface. You can create a Setlist using your Songs created in Studio One, and combine them with a mix of live instruments, pre-recorded tracks, and virtual instruments. Each song in the Setlist can have its own unique instrumentation. Songs in your set can be rearranged on the fly using drag-and-drop, and any element from your Song files can be added to your Show via simple copy-and-paste or direct export. Switching to Performance view with a meter and customisable control over each parameter, means you can adjust in real-time while on Stage. See More
Clip Gain Envelopes represent a new layer of gain introduced in Studio One 5, which is independent from the audio event as well as the volume automation. This feature is ideal for applying gain correction before the signal hits the inserts, specially useful when dealing with extremely dynamic vocal tracks and sections in general that are too soft or too loud. The user can create breakpoints within the clip by clicking on the curve, and then dragging either up or down in order to increment or reduce the clip’s gain. These gain modifications will be shown on the waveform. The process is simple, fast, and extremely effective. See More
ReNoise 3 replaces the typical piano roll with a tracker, which is claimed to be "the most powerful tracker in existence". The difference between piano roll and tracker is that piano roll moves horizontally, while trackers move vertically. Users may find this confusing at first, but trackers make it simple to customize every individual note. See More