When comparing Mass Effect Trilogy vs Dragon Age: Origins, the Slant community recommends Dragon Age: Origins for most people. In the question“What are the best PC RPGs?” Dragon Age: Origins is ranked 2nd while Mass Effect Trilogy is ranked 7th. The most important reason people chose Dragon Age: Origins is:
The story in Dragon Age: Origins is long and expansive with many different parts that are all fit together by the finale. As a Grey Warden, you specialize in killing demon-like darkspawn enemies in order to prevent them from taking over the world in a cataclysmic event known as the Blight. Even with the darkspawn threat, there are many other issues across the country of Ferelden, such as the oppression of mages and elves at the hands of humans, and several displaced dwarves who were nearly wiped out during the Blights in the past. There's plenty of political drama as well, with you and your fellow Grey Wardens caught in the middle of a betrayal at the highest level of Ferelden's monarchy. You play a big part in the culmination of the drama with the choices you make, many of which aren't just black and white. All of these threads come together nicely by the end as you fight against the darkspawn to save the country and all the people that you get to know on your journey.
Specs
Ranked in these QuestionsQuestion Ranking
Pros
Pro Choose your own adventure
The player is required to make many choices over the course of the three games, all of which have far-reaching consequences. Not just friends, but entire species can live or die based on player decisions. Morality is also not prescribed - the player is free to make Shepard be who they want them to be.
Pro Space opera aesthetic
The series is a beautiful love letter to space opera classics like Star Wars and Star Trek, while standing on its own merits.
Pro Good romance subplots (Mass Effect)
The romance subplots in Mass Effect are great. Playing as male Shepard, you can romance either Liara or Ashley, while female Shepard can romance Liara or Kaidan, your human male squadmate. There are certain consequences for being unfaithful where your partner will confront you or the person you're cheating with in a heated showdown. Sticking with one person for the whole game rewards you with a romantic scene near the end of the story. A lot of care and attention went into these subplots, giving you the chance to see each of the characters in a new light.
Pro Memorable cast of authentic characters (Mass Effect)
Mass Effect has an amazing cast of both human and alien characters who feel like real people. While just about any NPC you meet is fantastic, your squad members are the ones that stand out the most. They all have backstories and traits that are believable and natural.
Ashley is a human soldier who joins your team early on. As you chat with her in between missions, you get to learn about her history with her family and religious faith back on Earth. But then as you explore the Citadel, the game's main hub area, she makes snide comments about all the aliens around, keying you in on her true feelings about non-humans. By contrast, your scientist team member Liara is an asari: Mass Effect's species of blue female-only aliens. Despite being reserved and shy, Liara often jumps at the chance to gush about her research. Talking to her gives you the chance to learn more about the asari and why exactly she's so devoted to her academic studies.
Getting to know everyone through dialogue and squad banter is a lot of fun, making it easy to grow attached to your favorite characters.
Pro Calm and thoughtful atmosphere (Mass Effect)
There's something calming about Mass Effect's atmosphere that really gives you the space to think and reflect. Exploring places like the indoor trade port Noveria feels special because of the cool blue color scheme, the blizzard blowing outside the full pane windows, and the ambient, yet quietly emotional synth music looping in the background. Even the title screen has a thoughtful song playing over the beautiful sight of Earth from orbit. The atmosphere is wonderful in a way that's almost nostalgic, making you feel right at home each time you start up the game.
Pro You can customize your protagonist Commander Shepard
There are lots of ways to make Commander Shepard feel like your own character. The character creator at the start of a new game lets you change all sorts of options, from your hair, to your skin color, the shape of your nose, mouth, and ears, and so much more. Or, if you prefer, you can simply stick with the default male or female Shepard. You also get to pick which class you want to be for combat: soldier, infiltrator, vanguard, adept, or sentinel, each with their own unique abilities, like the adept's helpful "magic spells" and the infiltrator's specialty with sniper rifles. You can role-play as Shepard however you want, with plenty of options to customize your looks and your combat specialties for whichever role suits you the most.
Pro Stellar voice acting
40 000 lines of dialogue in Mass Effect 3 alone. Top-tier cast includes Jennifer Hale, Mark Meer, Ali Hillis, Seth Green, and Martin Sheen.
Pro Great third-person shooting combat and gun variety (Mass Effect 3)
The combat in Mass Effect 3 feels great to play. Taking out groups of enemies is fun because of all the ways you can change up your gameplay. There are lots of different loadouts to choose from and ways to customize your build with components, such as having an assault rifle that tears through armor, or adding elemental effects like ice to your shotgun to freeze enemies in place. Customizing your sniper rifle just right, for example, to decapitate an enemy from as far away as possible is very satisfying. Combat here is the best it's ever been in the trilogy, improving a lot over the clunky and unresponsive mechanics from the first game.
Pro Your choices have true consequences on the story (Mass Effect)
Your choices have direct consequences on how the story plays out, not only in this game but also across the rest of the Mass Effect trilogy. You get to choose between options like sparing or killing off an entire race of potentially dangerous enemies, saving or sacrificing one of your own squad members to finish an operation, and dealing with an enraged teammate who feels betrayed by your actions. How you handle certain side objectives during story missions can also have an impact on how the galaxy at large reacts to you. Each of your decisions, big and small, carry over through your save files to Mass Effect 2 and 3, opening things up for many different playthroughs to see how things turn out with other choices.
Pro Fun multiplayer (Mass Effect 3)
ME3 has a cooperative multiplayer option that ties into the single-player storyline. Players can take command of various soldiers across all the sapient races, teaming together to fight off waves of enemies and secure objectives.
Pro Great voice acting
By purposefully adding in fantastic voice acting it causes the player to feel more engaged and elicit emotional responses out of them. This is a tool used on purpose in order to make the player feel more immersed in the world of the game.
Pro Epic dark fantasy story
The story in Dragon Age: Origins is long and expansive with many different parts that are all fit together by the finale.
As a Grey Warden, you specialize in killing demon-like darkspawn enemies in order to prevent them from taking over the world in a cataclysmic event known as the Blight. Even with the darkspawn threat, there are many other issues across the country of Ferelden, such as the oppression of mages and elves at the hands of humans, and several displaced dwarves who were nearly wiped out during the Blights in the past. There's plenty of political drama as well, with you and your fellow Grey Wardens caught in the middle of a betrayal at the highest level of Ferelden's monarchy. You play a big part in the culmination of the drama with the choices you make, many of which aren't just black and white.
All of these threads come together nicely by the end as you fight against the darkspawn to save the country and all the people that you get to know on your journey.
Pro Great ways to interact with companions
There are interesting ways to get to know your team members in Dragon Age: Origins. Giving them gifts, talking to them at camp, and listening to party banter are all realistic and fun.
You can increase approval with your favorite characters by figuring out what types of gifts to give them, like general trinkets in the shape of a dragon, or more sentimental items with personal meaning to them like a parent's cherished locket. While resting at a camp, you can chat with anyone about what's on their mind, opening up side quests, and possibly triggering romance options.
Party banter is always insightful and entertaining, with characters giving different lines depending on who you bring along. For instance, if two of your party members don't like each other, you can expect them to snipe insults or make more passive-aggressive backtalk depending on their personalities.
Your companions feel like actual people you can interact with and listen to, each with their own preferences and perspectives.
Pro Your choices can give you vastly different playthroughs
The choices you make affect the gameplay and plot, opening things up for very different playthroughs.
Right from the start, you pick which race and combat class you want for your protagonist -- human, elf, or dwarf -- each with their own playable origin prologue, such as a human mage with noble blood or a dwarf warrior part of the working class. Which origin you pick also has a big impact on how your companions and NPCs react to you, such as people respecting you more if you're a noble or looking down on you if you're an elf.
Once you become a Grey Warden, the choices you make during the story segments determine who will join you for the final battle. You can side with the people whom you know will provide the most support in the finale against the darkspawn, but these characters might be irredeemable and reprehensible, so you might not want to help them after all. Or there may be other groups or people that you absolutely want to help, yet this comes at a great cost that negatively affects others in the world. It's a balancing act where you have to carefully take everything into consideration.
All in all, your choices give you the chance to experience unique playthroughs, with potentially hundreds of hours of gameplay if you want to see how each outcome plays out.
Pro Well-implemented tactical combat with unique playstyles
The combat gameplay is great, featuring various playstyles and a key way for you to control the flow of battle.
The different battle classes -- warrior, mage, and rogue -- have branching specializations with unique abilities. Going with a templar that branches off from the warrior class gives you an edge over enemies who use magic, while duelist rogues have more speed to strike quickly and dodge the most hits. You can also pause the game to bring up a radial menu to pick which abilities to use and specific enemies to target, meaning you can take your time in battle and not get overwhelmed by everything.
Mastering your class specialization and using the radial menu to your advantage gives the combat a lot of strategic depth.
Pro Plenty of mods available
Nexus Mods contains many mods to change just about any aspect of the game such as adding new dungeons, new companion interactions, and ways to save time like with the auto loot mod.
Cons
Con Tedious inventory management (Mass Effect)
The game overloads your inventory with weapon upgrades, modifiers, equipment, and all sorts of duplicates of those items. Clearing out your inventory can take several minutes at a time since there's no quick way to select the things you don't want and get rid of them. If you're diligent enough to trek to a store to sell things off every single time you're low on inventory space, you can make quite a bit of money, but it's not always convenient to do this, like when you're out in the middle of a remote planet. It takes a lot of patience to not get annoyed with managing all of your items and components.
Con Levels are very linear (Mass Effect 2)
Mass Effect 2's levels are more like winding corridors with the occasional wide open space here and there. You always have a clear sense of where to go next, but there isn't much room for exploration. It's also obvious when enemies are about to show up, since you'll come to a place with a bunch of chest-high walls conveniently spread around the area for you to take cover behind. It's unimaginative, making missions feel like you're only going from point A to B.
Con Vehicle controls with the Mako are absolutely terrible (Mass Effect)
Driving around on planets to get from place to place in the Mako is awful. Controls aren't as responsive as they should be and the vehicle's physics are all over the place. Just trying to make basic turns is bad enough; roving up a rocky mountain, for example, makes the Mako bounce and spin around like it's in zero gravity. These driving parts are mandatory and unskippable, so there's no way around them. It's so bad that the developers got rid of the Mako in Mass Effect 2 and 3, but you unfortunately still have to deal with it here.
Con Clunky third-person shooting combat (Mass Effect)
The third-person shooting part of Mass Effect isn't that fun because of how janky it is. Your character gets glued to cover whenever you're close to a wall instead of letting you press a button to enter cover whenever you want. The actual shooting mechanics are slow and heavy, and with guns that overheat if you keep firing them for too long. Suicidal squadmates run around getting killed unless you remember to keep directing them to hide behind cover everywhere you go. The combat is just unsatisfying, clearly taking a backseat to the game's story and characters.
Con The main enemies, the Collectors, feel misplaced in the trilogy (Mass Effect 2)
The Mass Effect trilogy's story is about stopping the Reapers -- ancient, unknowable beings who destroy all life -- but this gets interrupted in Mass Effect 2 by the Collectors who are more like minions of the Reapers. The Collectors are dangerous because they harvest humans, though this is not as important as the Reapers who seek to end all life in the galaxy in Mass Effect 3. It would have made sense for Mass Effect 2 to focus on the Reapers instead of the Collectors, since they're more of a secondary problem.
Con The ending is unsatisfying and lacks closure (Mass Effect 3)
Even with the free Extended Cut DLC that expands on the ending, Mass Effect 3's conclusion still falls short of expectations. Commander Shepard and his/her squad are denied a satisfying ending no matter which path you choose. For a series that features such incredible characters, it really stings that you don't get to see everyone have a proper farewell.
Con The human villains are poorly-written (Mass Effect 3)
Mass Effect 3's human villains are more of a joke than anything. Their motivations don't always make sense and they only seem to keep getting in your way for the sake of drama. This is most annoying during scripted story moments where they're suddenly able to overpower you and your team for no real reason. The game's story would have been better off without these certain villains altogether.
Con Story leans too heavily on an unimaginative plot device (Mass Effect 3)
It's disappointing that the big finale to defeat the all-powerful Reapers relies on a plot device. This MacGuffin-like device is boring and feels way too convenient, like the writers ran out of better ideas. It's not all that creative and feels anti-climactic, mostly because it comes out of nowhere in Mass Effect 3 with no mention of it whatsoever in the first two games.
Con Horde mode multiplayer can quickly get stale (Mass Effect 3)
The multiplayer in Mass Effect 3 is a lot of fun at first, but this doesn't last for long. You play with a team of up to three other players against AI of the different enemy factions from single player. Even though you get to unlock lots of unique characters and weapons, it's the same type of horde mode gameplay over and over. You may find yourself getting bored of the ten waves of enemies after a while.
Con Gameplay not consistent across games
ME1 is more of an RPG with some shooter elements; ME2 and ME3 are more cover-based shooters with RPG elements.
Con Silent protagonist even though everyone else has voice acting
It's jarring that your protagonist is the only character in the game who doesn't speak. While everyone else has a voice with their dialogue, it's awkward when you pick your own dialogue options and your character says nothing. When you choose your response, there's a pause between the other person's lines that doesn't quite feel right. It would have been nice if the voice acting were consistent, with voices for everyone or no one, to keep things on the same page.
Con Characters are partially clothed during romance scenes
The romance scenes include characters wearing their undergarments, which ends up looking weird and distracting. Full nudity isn't absolutely necessary, but it just seems off here. Having more creative camera angles to cover things up would have had a better effect without coming off as unrealistic.
Con Too easy to fix relationships with companions who dislike you
It's way too easy to smooth things over with disagreeable party members. Your companions can grow to actively dislike you if you pick certain dialogue options with them, or they can judge you harshly for certain story decisions you make. By giving them gifts, you can greatly improve their approval of you as if nothing had ever happened in the first place. None of your relationships with your companions really have any consequences when it's this simple to make them like you again after disagreements.