When comparing Ableton Live 9 vs ReNoise 3.0, the Slant community recommends Ableton Live 9 for most people. In the question“What are the best DAWs?” Ableton Live 9 is ranked 4th while ReNoise 3.0 is ranked 16th. The most important reason people chose Ableton Live 9 is:
Ableton's session view gives a much quicker, more flexible way of experimenting with ideas than a typical linear interface. In session view, each instrument part is a separate entity that can be mixed and matched with other parts without having to rearrange anything. Any and every effect is consolidated into one clean looking interface. It allows users to experiment with effects and other manipulations very quickly. Because of this, Ableton is known as one of the most creative DAWs out there.
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Pro Great creative DAW workflow
Ableton's session view gives a much quicker, more flexible way of experimenting with ideas than a typical linear interface. In session view, each instrument part is a separate entity that can be mixed and matched with other parts without having to rearrange anything. Any and every effect is consolidated into one clean looking interface.
It allows users to experiment with effects and other manipulations very quickly. Because of this, Ableton is known as one of the most creative DAWs out there.
Pro Advanced automation
You can add curves to automation. Additionally, Ableton lets users duplicate certain automations quickly.
Pro Great for sampling
The Ableton DAW offers a great sampling experience, which can be approached in many different ways. Audio can be directly chopped, quantized, warped, and even chopped into MIDI clips. Ableton's built in sampler also allows clean pitching along with useful loop functions.
Pro Optimized for playing live music
While all DAWs are capable of playing music live, Ableton Live is the most DJ friendly DAW out there as it allows mixing and mashing various MIDI or audio clips together in real-time while still making sure that they're in sync.
Pro Max for Live lets users build custom tools
With Max for Live, users can create custom synthesizers, audio effects, sequencers, samplers, and more. Max for Live is a feature that is available with Live 9 Suite.
Pro Advanced content browser
The browser lets users choose from live Sets, tracks, clips, devices, presets, samples, etc. There is also an auto-play function for audio clips that enables users to browse samples quickly. The search function is also handy, but only for clips that are labeled appropriately.
Pro Outstanding EQ
Ableton's new EQ includes an integrated spectrum analyzer so users can see exactly which frequencies need to be adjusted. Additionally, this EQ cuts by 48 db. In the previous version of Ableton, the EQ only cut by 12 db.
Pro Dual monitor support
Live 9 lets users see session and arrangement views at the same time with dual monitor support.
Pro Minimum skeuomorphism
Skeuomorphism is described as retaining antiquated aesthetic features on an updated version of a device. For DAWs, this happens when an interface is littered with analog nobs, wires, and other things that are reminiscent of older technology. While this can be considered a stylistic choice for some DAWs, it tends to block progress towards better practices in music production.
Pro Comes with 54GB included sounds and 40 effects
Pro Many software specific controllers
Many MIDI controllers have been developed for the exclusive purpose of being used with Ableton. Some popular Live controllers include Push, APC40, and Launchpad.
Pro Supports "scales" plugin
If you want to write in a specific scale, choose it from the scale plugin and your music will automatically be configured to be that key.
Pro Exemplary time stretching facilities
Not only can the time stretching can be done in real-time, there are about a dozen of TC/E algorithms to choose from.
Pro Multiple "workflows" or ways of achieving an outcome
Not everyone realizes this, but anything can be done in multiple ways in Live. Multiple ways of playing samples, multiple ways of slicing samples, multiple ways of sequencing MIDI, etc.
Pro Endless creativity
After some training this daw can be used for doing anything. There are basically no limits.
Pro Can play a midi note from the middle
Since Live 10, you can play a midi note without having to play it from the start.
Pro Sophisticated effect modulation
ReNoise 3 offers a ridiculous amount of flexibility when it comes to automation. Instead automating by sliding points around, users can choose from an array of preloaded automation patterns in order to produce more interesting sounding patterns.
Pro Uses a module tracker instead of piano roll
Module trackers are preferred by some users because they help increase productivity.
Pro Requires minimum mouse input
Shortcuts and other methods are used in order to minimize the amount of work that users must do with a mouse. This can greatly increase the efficiency of a workflow.
Pro Very stable
DAWs are notorious for crashing, especially at the peak of a workflow. ReNoise 3 is known for its outstanding stability.
Pro Unique grid based tracker
ReNoise 3 replaces the typical piano roll with a tracker, which is claimed to be "the most powerful tracker in existence". The difference between piano roll and tracker is that piano roll moves horizontally, while trackers move vertically. Users may find this confusing at first, but trackers make it simple to customize every individual note.
Pro Optimized for dual monitors
Users who have more than one monitor can view the sampler, plugins, and MIDI controls in the instrument editor, which can be moved to a second monitor.
Pro Program custom tools
Users can make their own instruments and effects using Lua .
Pro Limitless sampler
The sampler is deeply embedded in the way the whole DAW works, and it allows the user to build complex synth sounds with ease.
Pro Highly customizeable effect chains
Effects can be applied to samples in Instrument Editor in addition to being sent through track input. This is highly useful when dealing with multi-sample instruments, as each sample can have one or more effect chains.
Pro Advanced pattern command
The Pattern Command called "MaYbe" guesses which note will be next in a progression based on the user's habits.
At around $749, the Ableton Live 9 Suite DAW is more expensive than other DAWs. Ableton live 9 standard can be bought for $449, and Ableton Live 9 Intro can be bought for $99.
Con No VST3 Support
Con Not very stable
Plug-ins can crash the whole process.
Con Limited routing
Tracks can go into groups and sub-groups (as of Live 10), and sends are available, but that's the extent of routing.
Con Plugins on frozen tracks are loaded and unloaded as the session opens slowing down opening and creating DSP limitations.
For example: If you freeze more than the allowed number of plugins on a UAD DSP device, when you open your session, Ableton will open and close all the frozen plugins on every channel even though they are not active in the session. The UAD control panel application displays the DSP usage of the hardware. During loading the levels (bars) will fluctuate by extreme amounts and typically will produce errors once the Ableton session is loaded.
After the session is loaded, UAD plugins that should be running are disabled because there wasn't enough DSP available during load.
The user then has to open and look at each UAD plug in to see if they are disabled and turn them off and on again to enable them. This illustrates there is enough room for the DSP load for unfrozen plugins, but that the loading process was at fault.
Con Interface looks terrible
It really looks shoddy. The fonts are much too small to be comfortable and there is no return to beginning button included in the navigation controls. (But font size can be increased)
Con No comping / playlist feature when tracking
Con Sometimes very slow reaction, if you switch from one track to another with APC- or Push-Controller
Con Interface can be confusing to people who's not familiar with trackers
Trackers are different from sequencing (arrangement) view (most DAWs) and session view (Ableton, Bitwig).
Con Cannot record multiple tracks simultaneously
Live musicians are limited by only being able to record on one tracks at a time.