Cubase vs Reaper

Automatically tightens your MIDI inputs to be on time. Quantize has two modes. Hard Quantize will adjust based on strict settings (precisely on beat by default) and Iterative Quantize will adjust in increments. Excellent for keeping the human element in recordings.

It provides all the industry requirements and features an optimized workflow for mixing.

Has an awesome and easy to use sampler.

Logical Editor allows customizing MIDI data according, in order to set rules to save time.

When in stacked mode, all of your takes can be shown in a single track side by side. You can then select what parts of which take you need. If you are recording MIDI, the Cubase DAW allows creating a pattern that can overlap and be re-used as many times as needed.

The Cubase DAW offers 11 different kinds of time stretching methods.

The summing engine is responsible for processing tracks and combining them into the correct output. In comparison to other DAWs, Cubase's summing engine is excellent.

You can pick separate tracks to export in one pass. You can even have them open up a new project or drop in the same project automatically. Huge time saver and DSP Saver.

All in one plugin for advance audio analysis.

Lot's of options to edit samples on the fly with direct offline processing you can apply effects without sacrificing performance. You can even use Wavelab as an external wave editor.

Using Parts, the Cubase DAW allows creating patterns that can be re-used as many times as needed, and can be edited in a single place.

Great for those who are not piano players or just for quick ideas.

Apply any kind of process offline for selected single or multiple events . Without CPU load great for sound Design.

A unique recording and monitoring for personal or studio use.

Excellent time stretching , editing and bundled plug ins as well as powerful software instruments for creative synthesis.

Best stock plug-ins in any DAW. Powerful yet easy to work with.

Great visual editing and audio separation source.

Great for those who collaborate with pro tool users.

Compatible with the various MIDI controllers.

Great for tracking latency for each channel and plug-in.

Plugins that use the ARA2 technology can be implemented into the DAW for seamless and "native" like editing.

Maximum performance for macOS users.

Avid console compatibility.

Prefer Cubase over Pro Tools and it's much less money, and you won't get gouged down the road.

With one click it creates up to 4 voices to harmonised your voice. Following your chords and scales with your chord track.

If you find a person that their way of explaining things makes your life easier to understand what you are doing, you should keep going that way. That's what Dom Sigalas and Mixdown Online do on Youtube.

They have Audio Alignment Panel, works pretty much as Vocaling. Included in the pro version.

You can easily customize a GUI.

Reaper receives high praise for its stability. It's one of the many talking points of the software.

There are no limits to the amount of tracks or effects that Reaper can run. Reaper is stable enough to handle comically dense projects with style.

Reaper's developers add features based on user request at lightspeed. This is what makes Reaper reliable and trustworthy. Fans of Reaper are so adamant about the software because of this.

Contrary to Music Radar's review of FL Studio, Reaper is the true "People's DAW".

Reaper's will tailor itself to fit your computer's processing power by automatically using the "anticipative FX processing" feature.

No complex activation shenanigans. No dongle and such.

Records in WAV, AIFF, FLAC, WAVPACK, OGG and MP3.

In addition to its powerful inbuilt plugins, Reaper comes bundled with about 300 little plugins written in its own EEL2 (aka Jesusonic) scripting language. This is also open-source so the end user can create or edit preexisting ones to get exactly what they want.

When using a 64-bit installation of Reaper, all 32-bit plugins will still work alongside 64-bit plugins. On computers with an x86-64 CPU and an OS that supports multi-architecture, you can also run bridged 64-bit plugins on 32-bit Reaper.

Reaper is lightweight enough to be run off of a flash drive; the installer weights less than 20 MB and the portable installation option is included in it.

Although it may seem otherwise, Reaper is shareware. After your 60-day free trial runs out, the program remains full-featured. Like WinRAR, the only person forcing you to get a license is you.

Reaper has no limitations. Once you understand it, Reaper becomes a mixing, mastering and editing mainstay. Reaper punches way above its price range in terms of sheer brevity.

Without prior experience with DAW, you can install Reaper, set up ASIO drivers, connect to your amp and mikes, get the hang of recording/re-recording tracks, and render an mp3 in just a few hours. You can accomplish the basics very fast.

Thought has been given to many time-saving features and shortcuts which speed up workflow considerably.

Reaper can be purchased in two different ways: A commercial license (225 USD) and a discounted license (60 USD).

You can use Reaper unhindered with either license. You can only get the discount if your salary does not exceed 20,000 USD.

In Reaper, you can record MIDI and Audio onto the same track. As well, there are no distinctions between any form of audio. Surround Sound, Mono, Stereo files, and anything else you can think of; all of this can be recorded onto the same track.

You can have multiple projects open via tabs at the top left. You can then drag and drop clips, instruments or ideas between projects with ease.

If you want to use it as a glorified tape machine and nothing else, you'll still be able to get work done. If you want to learn all the shortcuts, scripts, custom actions and macros and really unlock what Reaper can do, you can do that as well. Either way, you'll still be able to make music.

No need to install Wine, Reaper supports Linux natively!

You can customize Reaper with hundreds of themes, or make them yourself.

A freeze can be applied to a group, and then picked apart track by track.

Miraculously, composition-focused musicians can now find a home in Reaper.

Allows usage of the basic bundled like EQ's and comp plugins in any DAW.

While some may disagree, the GUI has been widely celebrated for its informative nature. Everything you need to see is there or reachable. For more analytical types, Reaper can be of use.

You don't have to go to a separate editor to edit audio files. You can work directly on the track, and drop/drag pieces to other tracks, sew them together. It's a fun sandbox and easy peasy.

You can control almost everything via OSC (and MIDI, too).

Set the cursor, press a key, done. Reaper's cursor is extremely intuitive. A monkey could understand it.

Unlike Cakewalk, Bitwig, etc., there is no need to switch cursor editing modes or work around "smart" cursors.

Running smoothly with 50 tracks on i5 gen3 RAM 4GB laptop (mixing and mastering work done separately).

These two things are the biggest advantage of Reaper. No other DAW can beat it based on CPU efficiency. Some people say Reaper isn't a professional DAW by look, but it's not true. Reaper is a full-featured professional DAW. You can do anything whatever you want for music production.
The price is also reasonable. They are even generous with the evaluation policy. If they offer the simple and intuitive version, I'll be back to Reaper.

While other DAWs drag their feet on Windows, Reaper hits a solid stride even on Linux.

You can have one version and the future version when its out .

Reaper allows editing while you're recording for a performative and fluid workflow. This feature can also help save time when mixing.

Can run edited Script tools programmed by users.

Not like Ableton which forces all master/track plugins chain to 1-core