Reason vs Acid Pro 7
When comparing Reason vs Acid Pro 7, the Slant community recommends Acid Pro 7 for most people. In the question“What are the best DAWs?” Acid Pro 7 is ranked 13th while Reason is ranked 17th. The most important reason people chose Acid Pro 7 is:
Multi-track recording is an option provided by Acid Pro 7 that can be especially beneficial for live performances. Each instrument can be recorded live with its own effects and input monitoring.
Specs
Question Ranking
Pros
Pro Now supports VST
As of version 9.5, Reason now supports VSTs.
Pro Easy to learn
Reason is as easy to learn as any DAW, yet has incredible depth once you delve deeper, with some options that are just not possible in other DAWs.
Pro Easy and intuitive while being feature rich
You can go really deep into creating sound and routing. Find possibilities you cant do with any other DAW.
Pro Amazing automation arrangement
Using clips makes it very easy to automate precisely.
Pro Multi FX presets
The multi fx are very nice. Great for transitions and complete sound management.
Pro Loop, convert and overdub on the fly
Pro Offers an easy way to quantize and slice audio
Reason makes it easy to stretch audio or slice it up for glitchy sound effects. When audio is loaded, it is analyzed so slice markers can be placed at the beginning and end of each note. Slice markers appear when the audio sample is double clicked.
Pro Mimics true hardware through a skeuomorphic GUI/UX
Reason's rack and mixer visually emulate real studio hardware through a skeuomorphic GUI/UX, allowing you to route audio cables and CV very intuitively. Hit "tab" on your computer keyboard, and you can see the rear of the rack, making routing very easy to understand.
Pro Modular enviroment
Synths, effects, and utilities can be modularly wired via audio and CV.
Pro Can convert audio to REX files
REX files record effects and slices on top of the original file, and will play audio at the tempo of a project. REX files provide many uses and are a great addition to Reason.
Pro Supports MIDI out
MIDI out is a new addition in Reason, allowing feedback to MIDI devices.
Pro Built in Audio Pitch Editor
Reason's Audio Pitch Editor easily can hold its own to Melodyne Essentials. Makes editing vocals and other monophonic sound very easy.
Pro Massive free video tutorials content
Professionally produced tutorial videos often released by Propellerhead that show you how to use the software. Reason also has a thriving user base that offers video tutorials showing you how to do almost anything you need.
Pro Great built in instruments and effects
Mulitple high quality built in synthesisers, drum loops, samplers and effects with plenty of pre-built patches to explore plus the ability to create your own unique sounds.
Pro Great for live peformances
Pro Supports multi-track recording
Multi-track recording is an option provided by Acid Pro 7 that can be especially beneficial for live performances. Each instrument can be recorded live with its own effects and input monitoring.
Pro Zoom function changes the size of all tracks simultaneously
Resizing is easy with Acid Pro 7, and can be done to every track at the same time with one master slider.
Pro It does not get any easier than this if you're an absolute beginner
Pro Ideal for LOOP or SAMPLE based music
Pro Freezes MIDI to WAV and can revert WAV to MIDI
In order to reduce CPU load, Acid Pro 7 offers the ability to bounce clips to WAV. This DAW stands out by letting users revert back to MIDI if further editing is required.
Cons
Con Mix only by ear
You can not type in a value in the mixer.
Con Dated low resolution graphics (GUI/UX does not scale for 4K displays or higher)
Rack and mixer are still low resolution, designed for displays in the "pre-4K" era. Even on 1080p HD displays, the rack and mixer can be difficult to see and work with.
Con 32-bit only
Acid Pro 7 is 32-bit only and cannot use 64-bit plugins. This also limits the size of a project.
Con Soon to be discontinued, no updates, MAGIX doesn't seem to care
Con PC only
Acid Pro 7 is not compatible with Mac.