When comparing Studio One vs Pro Tools 2018.7, the Slant community recommends Studio One for most people. In the question“What are the best DAWs for beginners?” Studio One is ranked 3rd while Pro Tools 2018.7 is ranked 13th. The most important reason people chose Studio One is:
The Studio One DAW doesn't expect users to deal with a lot of windows, answer questions, or use the mouse excessively. This DAW is known for lettings users be creative without getting in the way.
Specs
Ranked in these QuestionsQuestion Ranking
Pros
Pro Efficient DAW workflow
The Studio One DAW doesn't expect users to deal with a lot of windows, answer questions, or use the mouse excessively. This DAW is known for lettings users be creative without getting in the way.
Pro Easy to use DAW interface
All components are laid out in an understandable fashion and almost everything is drag and drop.
Pro Melodyne built-in
The Real Melodyne is integrated in the actual DAW. No other DAW is set up to streamline Melodyne.
Pro Awesome smart tool
Hovering over different parts of the events in the arrange window activates different tools.
Pro Creative songwriting and arrangement tools
Use the 'scratch pad' work on multiple versions for your song without leaving the main window.
Pro Lightweight on lower CPU
Pro Good interface compatibility
Works great with interfaces, and doesn't fight with ASIO drivers.
Pro Automatic delay compensation
When a plugin takes time to process a sound, the Studio One DAW detects the gap and compensates.
Pro Very stable DAW
Performance is rock solid and very efficient, even on lower spec computers.
Pro Multiple key command templates
Possible to use key commands from Pro Tools, Logic, Cubase, etc.
Pro Drag and Drop feature is quite flexible and allows for massive free form modification on the fly
Pro Eficient quality , all more easy and fast
Pro The best DAW in Market and future standard
Pro Chord track
Chord track can be used by inserting chords or getting them from an inserted track.
Pro Dedicated mastering page
Studio one has a page dedicated specifically to mastering which can be very useful when trying to finish your song.
Pro Bounces MIDI in place
When bouncing from MIDI to audio, a new track won't be created, the clip will stay in the same place. When bouncing a specific part of a MIDI clip, it will be placed in a new track.
Pro Vocalign built in
Vocalign Project is can be integrated with the option to upgrade to Vocalign Pro.
Pro Available with a rent-to-own option from Splice
For those that can't afford to pay for a full professional DAW in one swoop, this is an amazing opportunity to get Studio One 4 Professional in monthly payments.
Pause and resume payments when you want or cancel at any time.
Pro Score view
This view is very powerful because it not only “shows” the MIDI notes as a score, but it also lets you add, edit and remove notes in standard music notation. It includes all the formatting rules, articulations, note values, clefs and general symbols from Presonus’ Notion software.
Pro Show page
Allows you to go from the studio to the stage or stream with other musicians through the interface. You can create a Setlist using your Songs created in Studio One, and combine them with a mix of live instruments, pre-recorded tracks, and virtual instruments.
Each song in the Setlist can have its own unique instrumentation. Songs in your set can be rearranged on the fly using drag-and-drop, and any element from your Song files can be added to your Show via simple copy-and-paste or direct export.
Switching to Performance view with a meter and customisable control over each parameter, means you can adjust in real-time while on Stage.
Pro Almost perfect
Can't complain about Studio One so much. It is almost perfect.
Pro Insert plugins on actual events, not just tracks
Have you ever wanted a delay on just a word or so. No need to automate or move to a separate track. No need to print it to the clip and run out of room on the audio file. Simply amazing feature.
Pro Clip gain envelopes
Clip Gain Envelopes represent a new layer of gain introduced in Studio One 5, which is independent from the audio event as well as the volume automation. This feature is ideal for applying gain correction before the signal hits the inserts, specially useful when dealing with extremely dynamic vocal tracks and sections in general that are too soft or too loud.
The user can create breakpoints within the clip by clicking on the curve, and then dragging either up or down in order to increment or reduce the clip’s gain. These gain modifications will be shown on the waveform.
The process is simple, fast, and extremely effective.
Pro Working with your iPad makes it easier
Pro Has retrospective recording
Retrospective Recording captures everything you play on your keyboard or controller—even without hitting record! It works invisibly in the background on a track-by-track basis.
Pro Full Screen MIDI editor
Pro Powerful Track/Channel search and filter options
Managing large projects with a huge track and channel count is now faster and easier than ever with the addition of powerful search and filter options.
Pro Secondary Timeline Ruler option
View minutes:seconds with bars and beats at the same time! A must for film composers.
Pro Notion 6 easy and full integration for scoring
Pro Studio One+ Subscription - best subscription under 20$
Software of Studio One plus cloud storage and packs, and a lot of other stuff included just for a tiny fee each month or year.
Pro Best stock plugins
Pro Support for Atmos - Surround
They now support surround . in version 6.5.
Pro Scratch Pad
Area to arrange all your tracks without touching the main arrangement.
Pro Easy Macros and creating new ones
Pro Easy sidechain routing
Pro Big features in Minor Updates
Studio One doesnt wait putting big features until a major updates comes.
Pro Size in HDD/SSD
It's the lightest DAW there is, Studio One is less than 400mb.
Pro Converts project from Bitwing
Pro Version 5 is the law
Pro Very high performance, and very powerful
This software is very powerful, and has great audio editing, midi editing, automation, pan etc, but It only supports AAX plugins, no VST.
Pro Very fast precision editing
The Pro Tools DAW is know for making clip manipulation a fun and productive experience.
Pro Mature editing and mixing facilities
As the Pro Tools DAW was originally developed to be an audio-only system with recording, editing and mixing in mind, these core features have been the most developed over time. It can be argued that the Pro Tools DAW has the best editing and mixing capabilities of any DAW, and for these reasons is considered by many to be an industry standard. As such it is an excellent DAW for multi-track mixing and recording.
Pro 64 Bit
This long awaited feature has finally been added.
Pro Extremely clean DAW interface
The Pro Tools DAW is known for being simple and easy to use. The UI is straightforward and isn't weighed down with useless features.
Pro Clean, Uncluttered Interface
The UI is very clean and uncluttered so there's not too much going on onscreen to have to try to focus on, do wish they would implement a theme system though, so you could change the colors of the UI, I prefer a dark theme as they are easier on the eyes.
Pro Free trial available
You can get a free trial of Pro Tools for 30 days.
Pro Comes with 8GB of included sounds and 55 included effects
Pro Much faster than Pro Tools 10
The improvement from the Pro Tools 10 DAW to the Pro Tools 11 DAW is highly noticeable.
Pro If you're an audio engineer, you already know how to use it
Pro Easy to understand file system
Pro Designed with proper session organization habits in mind
Pro Constantly updated software to accommodate Post/Film industry requirements
Pro A signal flow that makes sense when working with a hybrid setup
Cons
Con The DAW can't be used as a ReWire component
The DAW can be used as a ReWire host, but cannot be used as a ReWire component. This is frustrating if you like some of the instrument sounds and virtual synths in Studio One, but prefer another DAW to do your main work in.
Con Free version does not support 3rd party plugins
He can limit the tracks or etc., but no vst support for free version makes this piece of software a garbage!
Con Bad customer service
Con Frustrating controls
The mouse wheel is used for both scrolling and for controls (fader, pan, etc.) manipulation, depending on what's under the pointer; you may very well be scrolling through the tracks in the mixer only to suddenly discover that you are changing the volume of a track because the pointer entered the fader space. Users have been requesting a fix for this for several years now (there can't possibly be anyone who thinks this is a good design), but it's still a problem. Also, you may try to select a track only to end up changing its color or some other unexpected behavior.
Con Archaic
Con Interface
The interface Graphical is comic bookish. While the DAW is useful there are better interfaces out there. One of the biggest issues is how the signal path is selected. Other DAW's work more like a patchbay allowing for a more visual interaction with the program. Studio One is different and a little obtuse. For example, Digital performer 11, Protools 11, Sonar Producer provide a better experience.
Con Interface signal selection is obtuse and not as intuitive as other DAWs
Con Stuck notes when working with hardware synths
Working with multiple hardware synths with a MIDI hub is impossible as of version 6. SO creates stuck notes and it's midi panic system can't fix the issue.
Con Limited feature set
Con Crashes often, not very stable and runs poorly even on powerful systems
Con Melodyne/Vocaline/Splitter
All those tools are there for a show off and crash engine 9 times out of 10. Using all 3 in one project will increase chance of crash by 3 making program unusable.
Con Built in instruments
All built in instruments and most of effect are primitive and worthless.
Con Not always clear how to undo your changes
Some controls are very easy to set, only to be nearly impossible to figure out how to undo. For example, hiding a track is a simple right-click away, but unhiding the track requires finding a hidden screen and clicking on a dot beside the track name.
Con Non-free software
Does not respect your freedom. Does not provide source code.
Con Automation
Only my complaint so far is the automation. It affects the fader, so if you use automation for the volume, the fader gets useless. Other DAWs such as Reaper and Mixcraft offers separate automation function and it doesn't affect the fader.
Another one if I pick, the design of the plugins has been changed too colorful and it's not necessary though. I prefer the design of version 4, simple grey and white style. The prettier, the more CPU usage.
Con Too damn expensive
Con No RTAS or VST plugin support
The Pro Tools 11 DAW dropped RTAS support in favor of their own AAX (Avid Audio eXtension) format. Without AAX availability, a VST wrapper is required.
Con No batch export
You can not pick separate tracks to export in one pass that gives you separated files.
Con Only subscription now
Just recently, pro tools has switched to a subscription only basis, you cannot get an upfront payment without using an external vendor.
Con MIDI and composition tools are a bit dated
Con No ARA (audio communication, e.g. with Melodyne / VocAlign)
Replaced by the commit function.
Con Slow, old, outdated
Highest processor usage of any DAW, poor software optimization and patching of outdated code has left a slow bloated husk of a DAW that struggles to run smoothly on even the highest end modern computers.
Con Audio Drivers and ASIO
You cannot change the audio outs in ASIO on the fly, like in some other software, without having to save and restart the entire program, plus it's very finicky about audio drivers.
Con Prone to crashes
While it might be the "Industry Standard" for recording award winning albums, Avid has focused more on anti piracy and security while sacrificing stability, it seems to me they just change their plugin standard and slap a new version number on it and rush it to market.
Con Proprietary
Con No built-in pitch correction
While some other DAWs are equipped with pitch correction, the Pro Tools DAW is missing this feature. In order to use pitch correction, it must be added as a plugin.