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Excellently crafted, hilarious writing delivered by a well spoken, charismatic British narrator. Kevan Brighting has become somewhat of a cult success since the game due to its cult like status which just shows how deserving he is due to how well done the narration of the game is done. See More
One of the main themes of the game is the illusion of choice that's presented in games. While a player can make a vast number of decisions in the game, the narrator reminds the player he can only make decisions that the game allows him to and how the game manipulates the player into making them. The narrator points out that not just common choices such as what path to take to get from point A to point B, how to approach a certain situation or what ethical choices are available are limited to the game's designers having thought of and implemented those aspects of the game, but decisions such as purposeful suicide, not taking action, disobeying instructions and even turning off the game are only there if the game allows them to be there. See More
The game encourages players to explore decisions that would change the meaning of the presented story. What if you took a left turn where the game asked you to take a right? What if you decided not to push a big red button needed to continue playing because you didn't agree with pushing the big red button? What if you died in a boss battle? How would that affect the narrative of the game? The game rewards you for not following the "intended" narrative structure of the situation in order to point out how the structure is unavoidable in games as a whole. The process of attempting to break the structure can be highly satisfying in The Stanley Parable and can help you better notice limitations of narrative in other games. See More
The game starts out easy, with very little in terms of mechanics, and the single objective of not starving. Then, over time, new mechanics are introduced fluidly - the game provides very little guidance, leaving players to figure out how things work for themselves. In addition to game mechanics, even goals and story elements are unveiled organically over time. See More
Don't Starve has a very unique art style, using two dimensional or 2d characters and items in a 3d world gives a very interesting artsy feel to the game. The hand drawn look and feel to the graphics are a nice change of pace from ultra realistic games, but it doesnt take away from the suspense. See More
Just sit back, relax, and spend some time with Dear Esther. The experience isn’t long and there’s no pressure to go past the pace you want to go. While it does have a sense of loneliness and isolation the graphics are beautiful and the music is soothing which also lends a hand in the relaxedness of the title. See More
The game takes place on an abandoned island, so in a practical sense the player is alone. Add to that that this is a bit of a ghost story and mystery becomes enwrapped within the isolation of the island making for what is as much of an experience as it is a game that makes for a feeling and sense of loneliness and despair that often is only found in real life. See More
The central hub of the game is a vast array of dials and switches that are sparsely defined making for a very explorative environments, from there you will go to many different planets that have crazy color designs. While a very solitary title due to no life forms on these planets it gives the player a chance to really absorb the different worlds and their own control panel. See More
Throughout the game you will be picking up strange characters who are hitchhikers, through conversations with these hitchhikers you will be partaking in even stranger conversations that you are giving the power to choose your responses to. This makes for a very unique experience that is not often seen in a game. See More