When comparing Quantum Break vs Mass Effect Trilogy, the Slant community recommends Mass Effect Trilogy for most people. In the question“What PC games have the best storytelling & plot? ” Mass Effect Trilogy is ranked 4th while Quantum Break is ranked 48th. The most important reason people chose Mass Effect Trilogy is:
The player is required to make many choices over the course of the three games, all of which have far-reaching consequences. Not just friends, but entire species can live or die based on player decisions. Morality is also not prescribed - the player is free to make Shepard be who they want them to be.
Specs
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Pros
Pro Real actors are used in an interesting way
During gameplay the character models in the game are made to resemble their real world counterparts, using their voices and mocapped animations. What is even more interesting is that the game will have live action plot TV episodes staring these actors in between gameplay segments of the game. these TV episodes will differ in play depending on what the player is choosing to do in the game. While not the first time to base characters off of real actors, the TV episodes will definitely flesh out the game into even more of an interactive story than previous games out there. Which makes for an original experience.
Pro Real time destruction
Each stage in the game allows for real time destruction, either done by you or your enemies. This makes for shifting elements in each stage due to enemies being able to destroy your hiding spots. This way the player can't just camp in one spot in order to kill everyone to then advance forward, it forces the player to stay on their toes, which is welcome for those interested in constantly adjusting how they play.
Pro Interesting time manipulation mechanic
An iteration on bullet time (something this developer is familiar with as they also created Max Payne) the game allows for time manipulation in that the user can slow down or stop time in order to solve puzzles as well as get the upper hand in battles. It is a pivotal mechanic in the game and as such looks to be very well done.
Pro High production to TV segments
The TV segments of the game are really high in production value as they rival any top show on the big networks or streaming services. On top of this the story contained within them offer some great incites as to the motives of the bad guys and heroes alike. All this adds up to a level of polish not seen in many games.
Pro Replayability through branching paths
For those that would like to see all outcomes of the game and all live action story elements, the game will have to be played through again, making different choices than the first playthrough. This adds replayability to the game for those that would like to see everything the game has to offer.
Pro Choices affect gameplay
Depending on what choices a player makes in the game the story will adjust to reflect them. This is often done in many games (such as one made by Telltale Games) but for Quantum Break there are TV episodes that will also play depending on what choices are made, making for a very interactive and deep story through professional acting.
Pro Choose your own adventure
The player is required to make many choices over the course of the three games, all of which have far-reaching consequences. Not just friends, but entire species can live or die based on player decisions. Morality is also not prescribed - the player is free to make Shepard be who they want them to be.
Pro Space opera aesthetic
The series is a beautiful love letter to space opera classics like Star Wars and Star Trek, while standing on its own merits.
Pro Good romance subplots (Mass Effect)
The romance subplots in Mass Effect are great. Playing as male Shepard, you can romance either Liara or Ashley, while female Shepard can romance Liara or Kaidan, your human male squadmate. There are certain consequences for being unfaithful where your partner will confront you or the person you're cheating with in a heated showdown. Sticking with one person for the whole game rewards you with a romantic scene near the end of the story. A lot of care and attention went into these subplots, giving you the chance to see each of the characters in a new light.
Pro Memorable cast of authentic characters (Mass Effect)
Mass Effect has an amazing cast of both human and alien characters who feel like real people. While just about any NPC you meet is fantastic, your squad members are the ones that stand out the most. They all have backstories and traits that are believable and natural.
Ashley is a human soldier who joins your team early on. As you chat with her in between missions, you get to learn about her history with her family and religious faith back on Earth. But then as you explore the Citadel, the game's main hub area, she makes snide comments about all the aliens around, keying you in on her true feelings about non-humans. By contrast, your scientist team member Liara is an asari: Mass Effect's species of blue female-only aliens. Despite being reserved and shy, Liara often jumps at the chance to gush about her research. Talking to her gives you the chance to learn more about the asari and why exactly she's so devoted to her academic studies.
Getting to know everyone through dialogue and squad banter is a lot of fun, making it easy to grow attached to your favorite characters.
Pro Calm and thoughtful atmosphere (Mass Effect)
There's something calming about Mass Effect's atmosphere that really gives you the space to think and reflect. Exploring places like the indoor trade port Noveria feels special because of the cool blue color scheme, the blizzard blowing outside the full pane windows, and the ambient, yet quietly emotional synth music looping in the background. Even the title screen has a thoughtful song playing over the beautiful sight of Earth from orbit. The atmosphere is wonderful in a way that's almost nostalgic, making you feel right at home each time you start up the game.
Pro You can customize your protagonist Commander Shepard
There are lots of ways to make Commander Shepard feel like your own character. The character creator at the start of a new game lets you change all sorts of options, from your hair, to your skin color, the shape of your nose, mouth, and ears, and so much more. Or, if you prefer, you can simply stick with the default male or female Shepard. You also get to pick which class you want to be for combat: soldier, infiltrator, vanguard, adept, or sentinel, each with their own unique abilities, like the adept's helpful "magic spells" and the infiltrator's specialty with sniper rifles. You can role-play as Shepard however you want, with plenty of options to customize your looks and your combat specialties for whichever role suits you the most.
Pro Stellar voice acting
40 000 lines of dialogue in Mass Effect 3 alone. Top-tier cast includes Jennifer Hale, Mark Meer, Ali Hillis, Seth Green, and Martin Sheen.
Pro Great third-person shooting combat and gun variety (Mass Effect 3)
The combat in Mass Effect 3 feels great to play. Taking out groups of enemies is fun because of all the ways you can change up your gameplay. There are lots of different loadouts to choose from and ways to customize your build with components, such as having an assault rifle that tears through armor, or adding elemental effects like ice to your shotgun to freeze enemies in place. Customizing your sniper rifle just right, for example, to decapitate an enemy from as far away as possible is very satisfying. Combat here is the best it's ever been in the trilogy, improving a lot over the clunky and unresponsive mechanics from the first game.
Pro Your choices have true consequences on the story (Mass Effect)
Your choices have direct consequences on how the story plays out, not only in this game but also across the rest of the Mass Effect trilogy. You get to choose between options like sparing or killing off an entire race of potentially dangerous enemies, saving or sacrificing one of your own squad members to finish an operation, and dealing with an enraged teammate who feels betrayed by your actions. How you handle certain side objectives during story missions can also have an impact on how the galaxy at large reacts to you. Each of your decisions, big and small, carry over through your save files to Mass Effect 2 and 3, opening things up for many different playthroughs to see how things turn out with other choices.
Pro Fun multiplayer (Mass Effect 3)
ME3 has a cooperative multiplayer option that ties into the single-player storyline. Players can take command of various soldiers across all the sapient races, teaming together to fight off waves of enemies and secure objectives.
Pro Great voice acting
By purposefully adding in fantastic voice acting it causes the player to feel more engaged and elicit emotional responses out of them. This is a tool used on purpose in order to make the player feel more immersed in the world of the game.
Cons
Con Awful performance
The game has serious issues running smoothly on PC. The framerate is capped at 50fps no matter what equipment is used. Being that monitors are normally 60hz or more, this means the framerate can not even reach the refresh rate of any monitor available for PC. Though there is a 30fps cap available in the settings (which ideally should allow the game to run smooth, though at a low frame rate), it does not work properly and results in a jerky framerate.
Con Exclusive to Windows 10 store on PC
Games on the Windows 10 have several minor issues. Can't add to Steam games list, no third party overlays, can't disable V-sync, no unofficial mods, etc. Might not matter to most people, but can be an issue to some.
Con Gameplay progression is not balanced
The first half of the game sees the player unlock all of the main characters special powers, meaning the second half of the game gives little to work towards other than finishing the game and defeating the bad people. It would have been nice to see elements of gameplay still being unlocked in the second half of the game, as there is no little incentive to finish other than a bit of closure.
Con Poorly implemented action sequences
There are sections of the game that require a bit of platforming, sadly these sections are pretty linear, which break the immersion of the game tanks to areas where you just walk against walls instead o being able to climb. It seems like these segments could have been designed better, to at least give the impression that they are less linear than they actually are.
Con Shooting and cover mechanics could be better
The cover mechanic in the game is dynamic in that you walk up to somewhere were you can cover, and you auto cover. While this itself is not that bad, the shooting mechanics once you are under cover are poor in that you can't shoot at all while under cover (there isn't even any blind fire with guns). You will have to stand up in order to shoot, which leaves yourself vulnerable. Other games have done this system better and it would have been nice to see as much polish put into the gun-play as it was into the story of the game.
Con TV episodes are streamed online
The TV segments of the game are no on ones hard drive or disk, they are streamed from the game developers server, meaning those with a poor connection may see stutter and dropped frames in the video. This makes for a poor experience for some and it would have been nice to see them as local file, but of course the storage requirements for the game would have been a lot higher due to the size of the HD video.
Con Really short
The game is at max 10 hours, and that is including the 4 live action TV segments of the game. While the mashup of these elements can be appreciated, to see the game beaten in such a short time for a $60 game is disappointing.
Con Main story is a bit cliché
The basic premise of the story in the game sees the main character in a catastrophic accident, which gives him special powers. There is definitely nothing new about this story element and it would have been nice to see something new or fresh as to why the games story develops as it does.
Con TV episodes may interrupt flow of gameplay
Being that the game has not been played yet it is still unknown, but 20 minute TV episodes that take place in between gameplay may interrupt the flow of the gameplay. It is still unknown if they can be skipped, and even if they can are they necessary to enjoying the game.
Con Tedious inventory management (Mass Effect)
The game overloads your inventory with weapon upgrades, modifiers, equipment, and all sorts of duplicates of those items. Clearing out your inventory can take several minutes at a time since there's no quick way to select the things you don't want and get rid of them. If you're diligent enough to trek to a store to sell things off every single time you're low on inventory space, you can make quite a bit of money, but it's not always convenient to do this, like when you're out in the middle of a remote planet. It takes a lot of patience to not get annoyed with managing all of your items and components.
Con Levels are very linear (Mass Effect 2)
Mass Effect 2's levels are more like winding corridors with the occasional wide open space here and there. You always have a clear sense of where to go next, but there isn't much room for exploration. It's also obvious when enemies are about to show up, since you'll come to a place with a bunch of chest-high walls conveniently spread around the area for you to take cover behind. It's unimaginative, making missions feel like you're only going from point A to B.
Con Vehicle controls with the Mako are absolutely terrible (Mass Effect)
Driving around on planets to get from place to place in the Mako is awful. Controls aren't as responsive as they should be and the vehicle's physics are all over the place. Just trying to make basic turns is bad enough; roving up a rocky mountain, for example, makes the Mako bounce and spin around like it's in zero gravity. These driving parts are mandatory and unskippable, so there's no way around them. It's so bad that the developers got rid of the Mako in Mass Effect 2 and 3, but you unfortunately still have to deal with it here.
Con Clunky third-person shooting combat (Mass Effect)
The third-person shooting part of Mass Effect isn't that fun because of how janky it is. Your character gets glued to cover whenever you're close to a wall instead of letting you press a button to enter cover whenever you want. The actual shooting mechanics are slow and heavy, and with guns that overheat if you keep firing them for too long. Suicidal squadmates run around getting killed unless you remember to keep directing them to hide behind cover everywhere you go. The combat is just unsatisfying, clearly taking a backseat to the game's story and characters.
Con The main enemies, the Collectors, feel misplaced in the trilogy (Mass Effect 2)
The Mass Effect trilogy's story is about stopping the Reapers -- ancient, unknowable beings who destroy all life -- but this gets interrupted in Mass Effect 2 by the Collectors who are more like minions of the Reapers. The Collectors are dangerous because they harvest humans, though this is not as important as the Reapers who seek to end all life in the galaxy in Mass Effect 3. It would have made sense for Mass Effect 2 to focus on the Reapers instead of the Collectors, since they're more of a secondary problem.
Con The ending is unsatisfying and lacks closure (Mass Effect 3)
Even with the free Extended Cut DLC that expands on the ending, Mass Effect 3's conclusion still falls short of expectations. Commander Shepard and his/her squad are denied a satisfying ending no matter which path you choose. For a series that features such incredible characters, it really stings that you don't get to see everyone have a proper farewell.
Con The human villains are poorly-written (Mass Effect 3)
Mass Effect 3's human villains are more of a joke than anything. Their motivations don't always make sense and they only seem to keep getting in your way for the sake of drama. This is most annoying during scripted story moments where they're suddenly able to overpower you and your team for no real reason. The game's story would have been better off without these certain villains altogether.
Con Story leans too heavily on an unimaginative plot device (Mass Effect 3)
It's disappointing that the big finale to defeat the all-powerful Reapers relies on a plot device. This MacGuffin-like device is boring and feels way too convenient, like the writers ran out of better ideas. It's not all that creative and feels anti-climactic, mostly because it comes out of nowhere in Mass Effect 3 with no mention of it whatsoever in the first two games.
Con Horde mode multiplayer can quickly get stale (Mass Effect 3)
The multiplayer in Mass Effect 3 is a lot of fun at first, but this doesn't last for long. You play with a team of up to three other players against AI of the different enemy factions from single player. Even though you get to unlock lots of unique characters and weapons, it's the same type of horde mode gameplay over and over. You may find yourself getting bored of the ten waves of enemies after a while.
Con Gameplay not consistent across games
ME1 is more of an RPG with some shooter elements; ME2 and ME3 are more cover-based shooters with RPG elements.