King of Tokyo vs Charterstone

The game’s whacky theme of different monsters battling it out in the city of Tokyo gives the game a silly and light-hearted feel that the players easily take over. There’s constant engagement between the players, be it trash talk, begging for mercy while in Tokyo, anger or delight for dice rolls, or persuading others to gang up on someone.

King of Tokyo features some unique monster-y artwork, sort of parodying the movie cliché of huge beasts destroying urban environments. Everything is very colorful, cartoony, and highly detailed, from the box itself to the cardboard cutout monsters, the ability cards, and the gameboard with a burning Tokyo in the background.

The base game includes six different playable monsters and their matching cardboard cutouts and player boards. These monster boards are of great quality, feature the same wonderful artwork as the whole game, and are nicely designed. There are two spinable parts that show the monster’s health and victory points, so it’s a very easy way to keep track of what is happening.

King of Tokyo is highly accessible to people of all ages because it’s very easy to learn but it still provides enough room for strategy because of the “being in Tokyo” part. The whole game revolves around rolling dice and trying to either reach 20 victory points or destroy everyone and everything.

On your turn you roll six dice. With the dice you can receive 1, 2, or 3 victory points (if you roll three of the same number), attack other monsters by rolling the attack icon, receive energy for ability card purchases, or heal yourself. After you’ve rolled you can re-roll any amount of dice two more times.

Rolling an attack icon lets you attack the monster that is currently inside Tokyo, or, if you are inside Tokyo, all monsters outside. The monster inside has the choice to retreat before the attack hits, forcing the attacking monster inside Tokyo. Why is being in Tokyo good? You receive 2 victory points if you’re inside at the start of your turn.

Mechanically Charterstone is extremely simple, which makes it greatly accessible to people of all ages. The advanced rules are introduced to the players as the game progresses, but the basics are straightforward. On your turn you can place a worker on a tile or retrieve all your workers.

You can go to any tile on any charter, each building has a different resource cost to use and a different purpose. There are five initial spots called the “Commons” that you can go to in order to gain money, score objective cards, construct buildings, or open crates. Opening crates lets players draw cards from the “Index” which adds new rules to the game.

Thanks to the Automa system that lets an NPC character take over one of the player spots, you can fill in for a player that, for example, couldn’t make it to a gaming session or doesn’t want to continue the campaign.

Charterstone is a legacy game, but you can keep playing it as a regular worker placement game after you’re done with the campaign on the map you’ve created over the 12-game campaign.

Moreover, if you want to play through the campaign again and experience what you missed in your initial playthrough, you can buy the official recharge pack for about $30 to get back all the components you used and use the other side of the double-sided gameboard that has the same map.

Every game of Charterstone will be completely different due to card draw, personas, and strategies. Many campaigns end with situations where half of the deck is still undiscovered.

Charterstone is a balanced game when played with any number of players thanks to special rules that vary depending on the player count. Furthermore, the Automa system lets you introduce NPC players to the game that can fill in other players’ spots if you want to add more action to, say, a 2-player game.

The parts that make up Charterstone are both aesthetically pleasing and well-made.

When first opening the box, you are already greeted by an organized view of the components– everything’s stored in labeled white boxes. When looking at the components themselves, there is no mistaking what they represent or what they’re supposed to be – a pumpkin looks like a pumpkin, etc.

The quality is top-notch, and the components should hold up to plenty of plays. The white boxes that store most of the components are made of thick cardboard, the player tokens and the resource tokens are wooden, the cards are made of thick cardstock, and the coins are metal, which feel exceptionally nice and valuable due to the heftiness.

The game reveals itself as you progress, be it storylines, rules, buildings, etc. It feels nice to see your village grow and bits of the story unfold over the ~12 hours of gameplay. You get attached to characters, socialize with others, and create your own stories in the process, which creates another adventure on top.